© 2026 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Raising the Curve: Designer Eva Zeisel

Accessories from Zeisel's "Classic Century" tableware line.
Accessories from Zeisel's "Classic Century" tableware line.

Swooping up and around in whimsical curves, the ceramics designs of Eva Zeisel seem to almost come alive. "I do curves because I'm curvy -- meaning I am a little bit fat," she says.

Considered one of the premier industrial designers of the 20th century, Zeisel -- at 98 -- still designs porcelain in her New York apartment. While the scarce originals of her early work have become sought-after collector's items, her signature curves can be found in the permanent collections of the British Museum, the Metropolitan Museum of Art and MOMA. This month, Crate & Barrel introduced "Classic Century," a reissue of some of Zeisel's 1952 china collections.

Born in Hungary in 1906, Zeisel began her career at 18 as an apprentice potter. After jobs in various ceramics factories, she traveled to Russia where she worked her way up to art director of the state china and glass industry. In 1936, she was accused of plotting against the government and imprisoned for more than a year in a Soviet prison. Her time in solitary confinement was later recounted in the novel Darkness at Noon, by her friend Arthur Koestler.

After her release, Zeisel made her way to the United States, where she began teaching ceramics arts at New York's Pratt Institute. Her fluid works quickly gained attention, establishing Zeisel as a leader in modern design.

Copyright 2023 NPR. To see more, visit https://www.npr.org.

Jennifer Ludden helps edit energy and environment stories for NPR's National Desk, working with NPR staffers and a team of public radio reporters across the country. They track the shift to clean energy, state and federal policy moves, and how people and communities are coping with the mounting impacts of climate change.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.