© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Eva Ayllon: Afro-Peruvian Queen

Eva Ayllon is sometimes called Peru's Tina Turner. Her 30-year career has taken her in many musical directions, but she remains best known for her renditions of Afro-Peruvian music. That's a style that emerged in 1950s Lima, hand in hand with the notion of "black pride."

Afro-Peruvian music has complex, sensual rhythms. Its instrumentation is spare, originally just nylon-string guitar, bass and a wooden box called cajon. When it started getting outside attention in the mid-'90s, it felt new. The music's lean architecture and introspective mood differentiated it from the likes of salsa and merengue. But to experience the full-on gravitas of Afro Peru, you need to hear the husky voice of Allyon.

Enslaved Africans had to make two long passages to reach Peru, first across the Atlantic, and then over the landmass of South America. The people of the so-called Black Pacific were so far removed from their African origins that the creators of Afro-Peruvian music couldn't rely much on cultural memory. So they created instruments, rhythms and a compelling musical aesthetic that was largely a product of their imaginations. The pride of Afro-Peruvian music is the lando, an elegant dance with intertwined rhythms and a seductive undertow. Ayllon mastered the form early on and soon became known as "the queen of the lando."

On Kimba Fa, which means "joyous energy," Ayllon takes all sorts of liberties with Afro-Peruvian music, adding in piano and sometimes a brass section, as well as jazz harmony and ideas from other Afro-Latin styles. Ayllon is big enough to get away with just about anything. In "Huye de Mi," she even indulges her affection for the folksy Creole music that was the dominant sound of Lima a century ago.

The 17 tracks on Kimba Fa span the musical styles Ayllon has performed over her three-decade career. She experiments here and there, including on a pop track with Andean flute samples, blaring keyboards and Ayllon rapping — fun, but not her best work. When you hear this Lima native tearing into a salsa vocal, on the other hand, it's clear that she's far more than just a Peruvian treasure. Eva Ayllon is one of the great figures of today's Latin music.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Banning Eyre

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.