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Bedouine: Tiny Desk Concert

By Bob Boilen
Published April 30, 2018 at 8:57 AM EDT

This is as spare as music can be – songs stripped to their essence and just gorgeous. Azniv Korkejian is Bedouine, a singer and acoustic guitarist who echoes sounds from the 1960's North American folk songwriters, but with vocal inflections that feel closer to Leonard Cohen than to Joni Mitchell or Joan Baez.

Azniv Korkejian was born in Aleppo Syria. Her parents were Armenian and she spent her childhood in Saudi Arabia. But a green card lottery win found her family moving to Boston and Houston. Eventually she made her way to Los Angeles with important time spent in Austin, Texas and Savannah, Ga. The name she chose, Bedouine, reflects the traveler, the wanderer in her.

For her first album, she teamed up with the folks from the Richmond, Va. label Spacebomb. Trey Pollard arranged some stunning subtly on her 2017 self-titled album. You may know his work from Natalie Prass, or maybe the music he wrote for the podcast S-Town. Matthew E. White, the label's founder and also a musician signed Bedouine to Spacebomb, and the album was produced by Gus Seyffert. And though I deeply love the album's sound, I was entranced by Azniv Korkejian's solo performance at my desk. It's a unembellished gateway to some gracefully adorned songs.

Set List

  • "One of These Days"

    •
  • "Solitary Daughter"

  • "Nice and Quiet"

    • Credits

    Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Dani Lyman; Production Assistant: Joshua Bote; Photo: Bob Boilen/NPR.

    Copyright 2021 NPR. To see more, visit https://www.npr.org.

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    In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.
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    The future of public media is in your hands.

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