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92nd Street Y Pivots From In-Person Events To Virtual Programs

STEVE INSKEEP, HOST:

New York City's 92nd Street Y has been adapting to the pandemic. This institution has seen a lot. The nonprofit cultural center was founded in 1874 as the Young Men's Hebrew Association. It survived the Great Depression. It survived 9/11. When I lived in New York City, you'd always see posters or newspaper ads for big-name celebrities at live in-person events of the very sort that you cannot hold now. So the Y's virtual programs have gone ahead, and they are a pandemic success story of a sort. Here's NPR's Elizabeth Blair.

ELIZABETH BLAIR, BYLINE: Pre-pandemic, the 92nd Street Y's entire business model was based on in-person experiences. Tickets to events and tuition for classes made up 70% of its budget.

SETH PINSKY: The only opportunity we really had to survive as an institution was to lean into the crisis.

BLAIR: Within four days of shutting its doors, the Y started streaming its events. CEO Seth Pinsky says the audience for its virtual programs is bigger than they've ever seen. In a typical year, about 300,000 people attended events. In the past six months?

PINSKY: We've had a total of about 3.4 million viewers since we closed our doors.

BLAIR: From 300,000 in a year to 3.4 million in six months. Even online, the 92nd Street Y's programming is wildly eclectic - politics, pop culture, business. Leading chefs like Amanda Cohen had a panel discussion about the restaurant industry.

(SOUNDBITE OF ARCHIVED RECORDING)

AMANDA COHEN: I think we all know, as restauranteurs, certainly in the States, that the system was broken.

BLAIR: Musicians like Jonathan Biss have performed from their homes.

(SOUNDBITE OF MUSIC)

BLAIR: And Hugh Jackman signed up to take a virtual film class with the 92nd Street Y and then did a one-hour interview with the teacher, Annette Insdorf.

(SOUNDBITE OF ARCHIVED RECORDING)

ANNETTE INSDORF: Did you study footage of Frank and notice that he did those things?

HUGH JACKMAN: That's a great question. I studied a lot of footage. I worked with a researcher who...

BLAIR: There have been some technical difficulties...

(SOUNDBITE OF ARCHIVED RECORDING)

PAMELA ADLON: Mario, you hit your mute button. I can't hear you.

BLAIR: ...Like the time Pamela Adlon couldn't hear her interviewer, actor Mario Cantone.

(SOUNDBITE OF ARCHIVED RECORDING)

MARIO CANTONE: Can you hear me now? No.

ADLON: Yes.

CANTONE: I can't hear her, either.

BLAIR: But the 92nd Street Y isn't letting the glitches deter them.

SUSAN ENGEL: There is an element of forgiveness right now.

BLAIR: Susan Engel has been curating events for the Y for nearly 40 years.

ENGEL: If you engage the life of the mind at this time, you are giving people such a service.

BLAIR: And they're selling tickets. Some programming is free, but they've also generated over $3 million in revenue. Still, CEO Seth Pinsky says, despite the income and the massive audience increase, they've had to furlough staff and cut salaries.

PINSKY: The hardest part of all of this is that, in spite of all the successes that we're having, the economics still don't work. And we've been operating on fumes.

BLAIR: Pinsky says he hopes, going forward, the 92nd Street Y can crack the code on how to make this new virtual, now global model a sustainable one. Elizabeth Blair, NPR News.

(SOUNDBITE OF ANKO'S "RAIN") Transcript provided by NPR, Copyright NPR.

Elizabeth Blair is a Peabody Award-winning senior producer/reporter on the Arts Desk of NPR News.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.