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Flashbacks to selling the scares for horrorthons

MICHEL MARTIN, HOST:

Halloween is tomorrow, and NPR's movie critic Bob Mondello knows all about creating and critiquing scary make-believe worlds. But reviewing high-budget Hollywood films got him thinking about the simpler frights he helped scare up in his first job.

(SOUNDBITE OF THUNDER BOOMING)

BOB MONDELLO, BYLINE: Yeah, yeah, it's a dark and stormy night. Road's washed out...

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED ACTOR #1: (As character) Hello?

MONDELLO: ...Phone's gone dead...

(SOUNDBITE OF OFF-HOOK TONE)

MONDELLO: ...The mystic's read her Ouija board...

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED ACTOR #2: (As character) Can you show the sign?

MONDELLO: ...And zombies are popping through doorways left open by a demented kewpie doll. Been there, seen that, got the T-shirt. In fact, I practically designed a T-shirt for this stuff back in the 1970s before I was a movie critic.

My first gig out of college was doing publicity for a theater chain called Roth Theaters, working for Paul Roth, an old-school movie guy who'd probably forgotten more about showmanship by that time than I'll ever know. He had a couple of drive-in theaters. And for them, Halloween was both a challenge and an opportunity - the right place for scares, obviously, but hard to find new movies for when the weather got cold. So Paul dug deep in the B-movie horror vaults and showed me how to sell the sizzle, not the steak, something like this.

(SOUNDBITE OF DRIVE-IN ADVERTISEMENT)

UNIDENTIFIED PERSON #1: Friday night at the Ranch Drive-In - our dusk-to-dawn Halloween Horrorthon.

(SOUNDBITE OF SCREAMING)

UNIDENTIFIED PERSON #1: An all-night fright fest with five - count them - five full-length features.

(SOUNDBITE OF SCREAMING)

UNIDENTIFIED PERSON #1: Shuddering specters guaranteed to scare you shoutless, films so terrifying, we can't even reveal the title.

MONDELLO: Yeah, couldn't reveal the titles 'cause they were more terrible than terrifying.

(SOUNDBITE OF DRIVE-IN ADVERTISEMENT)

UNIDENTIFIED PERSON #1: We can say this - no one with a heart condition will be admitted. We'll have nurses in attendance and a hearse standing by.

MONDELLO: Man, I used to love writing copy like that. Years later, when John Goodman played a '60s horror guy in the movie "Matinee," wiring theater seats to deliver electric shocks at scary moments...

(SOUNDBITE OF FILM, "MATINEE")

JOHN GOODMAN: (As Lawrence Woolsey) The big studios - none of them have anything like it.

MONDELLO: ...I felt like I was watching my boss.

(SOUNDBITE OF FILM, "MATINEE")

GOODMAN: (As Lawrence Woolsey) I love this business.

MONDELLO: These days, you go to a scary movie, you see a scary movie. And no question, the scares are scarier now. It's all up there on-screen. But the old horrorthorns and terroramas, which were horrorthorns but sexy, had their charms, too. I still remember Paul showing me how a little red food coloring in the popcorn oil could turn a bucket of popcorn into a...

UNIDENTIFIED PERSON #1: Bucket of blood.

MONDELLO: Kind of gross, right? But the point was to scare the yell out of you, and we mostly did.

I'm Bob Mondello.

(SOUNDBITE OF FILM, "MATINEE")

UNIDENTIFIED ACTOR #3: (As character) A little question of taste?

UNIDENTIFIED ACTOR #4: (As character) No, no. But to younger patrons, you could have some seat wetness.

(SOUNDBITE OF DAVID JULYAN'S "THE DIARY OF PATIENCE BUCKNER") Transcript provided by NPR, Copyright NPR.

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.