© 2026 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

The steel pan has a legacy. Jonathan Scales is redefining it.

Jonathan Scales
Sandlin Gaither
/
Courtesy of Artist
Jonathan Scales

Jonathan Scales has climbed many mountainous obstacles to become the steel pan composer he is today.

The first was self-imposed. He chose to master the pan drum — an unusual decision which has raised many eyebrows throughout his career. He's not from Trinidad, where the instrument was invented, nor does he have a particular affinity for Calypso, the festive music closely aligned with his metal drum. Scales hears the instrument differently in his imagination. He matches its sound with ideas that draw from genres like bluegrass and work by composers that include Danny Elfman and Igor Stravinsky.

An unconventional choice on an unconventional instrument — how could he know it would even work? The creative voices in his head prevailed: Instead of evoking a tropical island, Scales conjures sounds that are introspective, melancholic and brooding, yet also forcefully delivered on his bright, kinetic contraption.

In this episode of Jazz Night In America, we learn about the fascinating origins of the steel pan and get lost in Jonathan Scales' magnificent and circuitous journey, which includes stops at the Tiny Desk with his band, the Jonathan Scales Fourchestra, and the creation of his own YouTube series, Scales & Friend, along the way.

Set List:
(All music written by Jonathan Scales unless otherwise noted)

  • "Box in the Sky" (Jonathan Scales, Agustin Uriburu) from the album Re-Potted
  • "We Came Through the Storm" from the album Pillar 
  • "Mizma" (E'Lon Jordan-Dunlap, Maison Guidry, Jonathan Scales) from the album Re-Potted
  • "The Mad" from the album Mindstate Music
  • "How to Rebuild Your Battleship" from the album Pillar 
  • "Focus Poem" feat. Béla Fleck from the album Pillar 
  • "Hot Cheetos" by MonoNeon feat. Jonathan Scales (Dywane Eric Thomas Jr.)
  • "This is the Last Hurrah!" feat. Jeff Coffin from the album Pillar 
  • "Ocean Church" from the album Re-Potted

Jonathan Scales Fourchestra: Jonathan Scales, steel pan; E'Lon JD, electric bass; Maison Guidry, drums.

Credits:

Sarah Geledi and Simon Rentner, writers and producers; Christian McBride, host; Ron Scalzo, episode mix; Suraya Mohamed, executive producer of NPR Music; Keith Jenkins, vice president of visuals and strategy at NPR Music.


Copyright 2024 WBGO. To see more, visit WBGO.

Sarah Geledi
Sarah Geledi left her job in advertising in Montreal to pursue a career in music in New York City. She fulfilled that mission, producing content for the JAM Festival at WBGO, segments for The Checkout, and programs for WWOZ and PRI's Afropop Worldwide. She also served as a producer for NYC Winter Jazzfest before landing the "job of her dreams," producing radio for Jazz Night in America.
Simon Rentner

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

Related Content