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Arts & Culture
With our partner, The Connecticut Historical Society, WNPR News presents unique and eclectic view of life in Connecticut throughout its history. The Connecticut Historical Society is a partner in Connecticut History Online (CHO) — a digital collection of over 18,000 digital primary sources, together with associated interpretive and educational material. The CHO partner and contributing organizations represent three major communities — libraries, museums, and historical societies — who preserve and make accessible historical collections within the state of Connecticut.

Frances Laughlin Wadworth: Sculpting the Past

Frances Laughlin Wadsworth certainly left her mark on the art world.  She also left it scattered about the city of Hartford.  Frances Laughlin was born in Buffalo, New York, on June 11, 1909 to Frank and Martha Laughlin. She graduated from St. Catherine’s School in Richmond, Virginia, and studied art in Europe under the tutelage of famous sculptors.  An avid painter as well as sculptor, Frances identified painting as more of a hobby, like her interest in gardening, than as a serious art endeavor in line with her sculpture.

Frances moved to Hartford when she married Robert H. Wadsworth, an executive at Travelers Insurance Company and a descendant of Daniel Wadsworth, founder of the Wadsworth Atheneum. Frances began to make a name for herself in Hartford, and eventually around the country, as a talented sculptor. Her statues include “Safe Arrival” in Tower Square in downtown Hartford; the memorial to children at the West Hartford Methodist church; a statue at Sheltering Arms Hospital in Richmond, Virginia; and a statue of Helen Keller and Anne Sullivan at Keller birthplace in Alabama.

A few of her statues focused on celebrating specific events in Connecticut’s history. Her obituary in the Hartford Courant on April 18, 1978, notes the statue of Thomas Hooker at the Old State House as “her most difficult commission.” Supposedly, this is because there are no known likenesses of Hooker, no paintings, silhouettes, or even descriptions of the founding father of Hartford. According to the newspaper, Frances looked to his character and descendants to create a likely depiction of the famous gentleman.

Another of her well-known statues stands at the corner of Asylum and Farmington Avenues and depicts a young girl being held up by two enormous hands. The young girl clutches a book, while being supported by hands in the shape of the deaf-mute sign for “light.” The statue was commissioned in 1950 by the New England Gallaudet Association to commemorate the founding of the United States’ first school for the deaf that originally stood near the intersection. 

Frances was also interested in art education. In the mid-1930s, the Institute of Living established a Department of Educational Therapy in order to provide psychiatric patients with an education that would help them when and if they returned to society. Frances joined approximately 40 others in teaching classes in sculpture, drawing, and painting to patients.   She also demonstrated the art of the sculptor at schools throughout Connecticut.

If you are interested in learning more about the life of this remarkable woman, visit the Research Center at the Connecticut Historical Society, One Elizabeth Street, Hartford, CT 06105. For hours and more information, go to chs.org.

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