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First Listen: Shabazz Palaces, 'Lese Majesty'

Shabazz Palaces' new album, <em>Lese Majesty</em>, comes out July 29.
Patrick O'Brien-Smith
/
Courtesy of the artist
Shabazz Palaces' new album, Lese Majesty, comes out July 29.

Broadcasting live from the land of legal weed and sliding into the frame like a giant Pacific octopus, here comes Lese Majesty, the third album from Seattle's Shabazz Palaces. It's definitely hip-hop, but... was that a drum? Human? Synthesizer? Sample of an old record? We may never know. MC and producer Ishmael Butler keeps his cards close.

As leader of Digable Planets, Butler had an accessible radio hit in 1992's "Rebirth of Slick (Cool Like Dat)," but he hasn't done anything straightforward since. He began his Shabazz Palaces project in 2008, and Lese Majesty is its most relentlessly noncommercial chapter yet. No hits, no singles; just raw, graceful tunes.

"Dawn in Luxor" opens the 45-minute document with a line about "throwing cocktails at the Führer," and the album's title comes from the French phrase for sacrilege against royalty. The sentiment can be interpreted in several ways, with Butler lyrically protecting what's precious to him — blackness, hip-hop, eccentricity — and going hard at oppressors.

"Luxor" morphs into "Forerunner Foray," which captures the buzz of the entire hip-hop era, with prototypical rapping spliced in from 1973 and fluid, controlled jazz singing from Catherine Harris-White. She's Butler's main co-star on the album — not Tendai Maraire and his mbira, like on the last two Shabazz records.

As melodic as much of Lese Majesty is, the words might be the album's most important element. Close listeners will find brilliant inventions ("plushtrous," "unstill") and plenty of quotable passages. From "They Come in Gold," a cool literary reference: "Ish dances with the white whale on the Pequod." From "Harem Aria," after a string of bizarrely simple similes: "I'm not messing with your mind / I don't have that kind of time."

If you're in Seattle before Sept. 5, Butler's crew Black Constellation has an exhibit at the Frye Art Museum called Your Feast Has Ended, with textiles, sculpture, paintings and video work from Nicholas Galanin, Maikoiyo Alley-Barnes (Shabazz Palaces' video director and mask maker) and Nep Sidhu (Lese Majesty album designer). There's no better way to hear this album than while walking through the museum wearing headphones.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Andrew Matson

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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