© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Flood Imperils Work of Famed Jazz Photographer

Herman Leonard has been called the Charlie Parker of photography. His dramatic black and white images of jazz greats such as Dizzy Gillespie, Thelonious Monk -- and Parker himself -- helped create a visual record of one of the most fertile periods of jazz. A great deal of that record may have been lost or damaged in the floods that followed Hurricane Katrina.

On Aug. 27, as the storm approached New Orleans, the 82-year-old Leonard, his manager and a small group of friends scrambled to save as many of his photos as they could, hustling them to the third floor of his home. The negatives are in a museum vault that Leonard says remains above the flood waters... though it likely lost all climate control.

But he's heard the studio and darkroom on the first floor of his house were submerged under eight feet of water.

His daughter and her family had recently moved to New Orleans to be closer to him. They lost nearly everything to the hurricane and flood.

Now Leonard and family wait in Los Angeles for the chance to return and find out what's left.

The Smithsonian has more than 130 Herman Leonard photographs in its permanent collection, spanning a career that began when he was a photography student at Ohio University in 1940. Leonard eventually found work as a portrait photographer in New York. To blow off artistic steam, he would hang out at jazz clubs along 52nd Street and take pictures.

Leonard is putting a brave face on his situation. "That's all right," he says. "It gives me incentive to get back in the darkroom and start printing again."

Copyright 2023 NPR. To see more, visit https://www.npr.org.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.