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The Making of Poems

I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.

When I was 12 years old, I was responsible for the death of my younger brother in a hunting accident. I held the rifle that killed him. In a single moment, my world changed forever. I felt grief, terror, shame and despair more deeply than I could ever have imagined. In the aftermath, no one in my shattered family could speak to me about my brother's death, and their silence left me alone with all my agonizing emotions. And under those emotions, something even more terrible: a knowledge that all the easy meanings I had lived by until then had been suddenly and utterly abolished.

One consequence of traumatic violence is that it isolates its victims. It can cut us off from other people, cutting us off from their own emotional lives until we go numb and move through the world as if only half alive. As a young person, I found something to set against my growing sense of isolation and numbness: the making of poems.

When I write a poem, I process experience. I take what's inside me -- the raw, chaotic material of feeling or memory -- and translate it into words and then shape those words into the rhythmical language we call a poem. This process brings me a kind of wild joy. Before I was powerless and passive in the face of my confusion, but now I am active: the powerful shaper of my experience. I am transforming it into a lucid meaning.

Because poems are meanings, even the saddest poem I write is proof that I want to survive. And therefore it represents an affirmation of life in all its complexities and contradictions.

An additional miracle comes to me as the maker of poems: Because poems can be shared between poet and audience, they also become a further triumph over human isolation.

Whenever I read a poem that moves me, I know I'm not alone in the world. I feel a connection to the person who wrote it, knowing that he or she has gone through something similar to what I've experienced, or felt something like what I have felt. And their poem gives me hope and courage, because I know that they survived, that their life force was strong enough to turn experience into words and shape it into meaning and then bring it toward me to share. The gift of their poem enters deeply into me and helps me live and believe in living.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Gregory Orr

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.