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Japan Scholar Gained Outsider's Perspective

MELISSA BLOCK, HOST:

Donald Richie adored Japan, from his first days as a typist with U.S. occupation forces soon after World War II to the six decades he spent absorbing Japanese culture and cinema and writing about it in dozens of books. Donald Richie died yesterday in Tokyo where he had lived for most of his life. He was 88. In the 1991 movie made from his sensual travel memoir, "The Inland Sea," Richie narrated stories about his voyage around the Japanese islands.

(SOUNDBITE OF MOVIE, "THE INLAND SEA")

MARKUS NORNES: It's just luscious, beautiful piece of writing. Last night, after I heard about his passing, it's the book I pulled for my shelf to go back and spend some time in.

BLOCK: That's Markus Nornes, a professor of Asian cinema at the University of Michigan and a friend of Donald Richie for 20 years. He says Richie devoted himself to bridging a gap between cultures.

NORNES: He's often called an interpreter of Japan, but I think of him more as a mediator.

BLOCK: What did he want Americans to know about Japan and the Japanese?

NORNES: I think at the beginning of his career, it had a lot to do with introducing them to the wonders of Japanese cinema. But then he also started writing about flower arrangement, food, the people he met, just small things in daily life.

BLOCK: I want to play you a bit of tape from a talk that Donald Richie gave in New York in 2006. He was talking about his life in Japan and his perspective as an outsider for all the many, many years he lived there.

(SOUNDBITE OF ARCHIVED AUDIO)

BLOCK: What do you think Donald Richie is saying when he talks about that limbo and looking down on that valley of the land that he's chosen?

NORNES: I think it's an embrace while at the same time a creation of some distance because, you know, he went there to get away from the oppressiveness he found in America. He found it less oppressive to be gay or to be bi. He could be in Japan and not worry about all the kinds of protocols that people in Japan would have to live by. He could carve out his own way of life.

BLOCK: When you spent time with him over the years, talked with him, what was he like? What kind of man was he?

NORNES: At first, I wasn't sure. I first met him at the Hawaii International Film Festival. We were at the opening party, which was at Jack Lord's house, of all places. And I went up to him and introduced myself as a grad student interested in Japanese film. And he listened to me. He went, uh-huh, uh-huh, that's nice. And he walked away.

BLOCK: He was dismissive, huh?

NORNES: Totally. But over the years, everybody talked about how he was such a wonderful person. And he would welcome everybody going to Japan with open arms and help them - I mean, just go out of his way to make sure that they had a great time and got what they needed if they're doing research or writing journalism or anything. So I finally looked him up again, and he turned out to be exactly that kind of person.

BLOCK: Well, Markus Nornes, thanks for talking to us about Donald Richie.

NORNES: It's my pleasure.

BLOCK: Markus Nornes is professor of Asian cinema at the University of Michigan. We were talking about the writer Donald Richie, an American expert on Japanese culture and film. Richie died yesterday in Tokyo at 88. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.