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One Man. One Cat. Multiplied

Courtesy of Mike Holmes

We start with a man called Mike and a cat called Ella. Two creatures.

Nothing odd about them, except that Mike has a beard and Ella is a touch chunky. Otherwise, they could be any cat and guy. Except ...

When you think about it, no one is ordinary. You could put a totally bland cat-and-guy couple in front of a hundred people, ask them to look, and each one would see a very different pair, different in a thousand subtle ways, because everybody looks at everything with different eyes.

Case in point: Mike Holmes (companion to Ella) is a cartoonist. And every so often, for an hour (that's his house rule; he does each of these in an hour) he will do a portrait of himself and his cat, through the eyes of another cartoonist.

If, for example, Mike spends an hour as Belgian cartoonist Georges Remi, maker of Tintin, then he and his cat would look like this:

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

But the next day, should he morph into Bill Watterson (Calvin and Hobbes), then he and Ella might look like this:

Here they are again, in Powerpuff mode (a la Craig McCracken):

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

This is the Bloom County, or Berkeley Breathed, version:

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

Mike Holmes calls these studies "Mikenesses." They are all his drawings, imagining himself and Ella through the eyes of these other artists. He's done batches and batches of them, collected here, and even more here. What they are, of course, is a celebration of the many-splendored art of cartooning, but at the same time they show us how different people, in different moods, with different backgrounds, different pleasures and different fears will produce wildly different visions of the world. Gary Larson, for example, likes labs, test tubes and extraterrestrials:

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

Maurice Sendak likes gentle monsters:

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

Chuck Jones (Wile E. Coyote, The Grinch) admires schemers, plotters and engineers:

/ Mike Holmes
/
Mike Holmes

Nick Park (of Wallace and Gromit) focuses on eyes (always big):

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

Chris Ware likes quiet despair (and rectangles, ovals):

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

And George Herriman (Krazy Kat, archy and mehitabel), the great-grandpa of American cartoonists, is all about energy, smallness and bravery.

/ Courtesy of Mike Holmes
/
Courtesy of Mike Holmes

All of us have eyes. But those eyes are attached to brains, and brains sculpt what we take in, emphasizing this, avoiding that, so that one man and one cat can be as many men and as many cats as the number of people looking. If you're a salesperson, trial lawyer, cop, robber, politician, parent, friend, anybody ... this is worth remembering.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Robert Krulwich works on radio, podcasts, video, the blogosphere. He has been called "the most inventive network reporter in television" by TV Guide.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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