© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Summer Reading: Three Books To Take You To New Frontiers

MELISSA BLOCK, HOST:

This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block.

AUDIE CORNISH, HOST:

And I'm Audie Cornish. You don't need a ticket to travel this summer. Our reviewer, Alan Cheuse, has packed a small bag of books that he says will send you to Alaska, Siberia and Tasmania. Here's Alan on three debut works.

ALAN CHEUSE: Rachel Weaver's novel "Point of Direction" takes us to contemporary Alaska and she fumbles around a little before figuring out how best to tell her story. But once she gets it moving, it pulls you in. A young woman named Anna treks north through Alaska, carrying a small pack and a large portion of guilt because of an incident in her recent past. She hooks up with a fisherman named Kyle and the two of them take a job as government lighthouse keepers for a long winter. From there, the view is 360 degrees of dark gray water, icy peaks and the glaciers that spill toward the sea between. And it makes Anna catch her breath. Kyle, it turns out, has an agenda that keeps him scouring the landscape for evidence of his own past turmoil, which in the middle of a stormy winter comes back to haunt him. More icy winter in the fabulous debut of Siberian-born story writer, now U.S. citizen, Kseniya Melnick. Her first book of stories, "Snow in May" takes us to her native far-Eastern city of Magadan, where in beautifully narrated story after story, we get an art boutique version of something we might call "Real Housewives of Siberia" before Glasnost and after. Along with keenly composed stories, Melnick gives us beautiful images. As when the wintry world seems, as she writes it, expressed solely in shades of gray as though somebody had sketched the scraggy trees and slope curves on white paper with a graphite pencil. Or when a woman named Tonya recalls how as a young girl she sat on the bank of the Volga River and lifted up her eyes in time to see the last sunray strike a little fire on the golden cupola of a country church on the opposite bank. Although her future seemed vague, it's every mysterious facet glimmered with light and possibility. As does the literary career of wonderful news story writer, Kseniya Melnick. Now, if Siberia isn't exotic enough for you, try Tasmania, the island state off the southern coast of Australia. Rohan Wilson, who grew up there, makes his home island the setting for his first novel, "The Roving Party," and it's one of the best first novels I've read all year. It's set in early 19th century Tasmania. A steady minded aboriginal man, nicknamed Black Bill, who's been raised in white culture, leaves his pregnant wife behind in the bush and joins a mixed-race posse that's in search of a tribe of rebellious indigenous people, led by a powerful shaman. This leads to battles of guns against spears fueled by European race hate and aboriginal defensive homelands they've inhabited for tens of thousands of years. The urgency of the chase, carefully chiseled language, exotic characters and dangerous conflict with each other - it's all here. Listen to the description of the camp Black Bill sneaks up on in the night. A crowd of shining, damp faces gathered in the firelight and its shimmer picked out incisions raised on their chests and streaks of ochre, like costuming. The shaman walked, and he clapped and the singing rose around him into the sky as the voices praise their ancient dead. Above it all, the full moon rolled like a blinded eye. These fine new works of fiction by first- time writers, all blessed with various urgencies about worlds in turmoil, I promise they'll open your eyes.

CORNISH: Summer fiction - Rohan Wilson's novel, "The Roving Party", Kseniya Melnick's story, "Snow in May," and "Point of Direction" by Rachel Weaver. Your travel agent was Alan Cheuse. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Alan Cheuse died on July 31, 2015. He had been in a car accident in California earlier in the month. He was 75. Listen to NPR Special Correspondent Susan Stamburg's retrospective on his life and career.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.