© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Song For A Pony And A Blue-Eyed Girl

Polish composer Henryk Górecki, in Zakopane, Poland, in 1994 — two years after a recording of his Symphony No. 3 became a surprise hit. Górecki died in 2010.
Janek Skarzynski
/
AFP/Getty Images
Polish composer Henryk Górecki, in Zakopane, Poland, in 1994 — two years after a recording of his Symphony No. 3 became a surprise hit. Górecki died in 2010.

From its mesmerizing ebb and flow and the purity of the choristers' blend alone, you'd be forgiven for thinking this might be one of Henryk Górecki's many sacred choral works. There's a palpable air of serenity and reflection. But instead, it's a song about a little pony and a blue-eyed girl.

That duality is part of Górecki's genius. This rather simple arrangement of a folk song from the rural Kurpie region of northeast Poland holds power beyond its purpose.

In Górecki's modesty comes something profoundly moving for some listeners. Millions of listeners, in fact, considering that this song projects a similar vibe to the composer's popular Symphony No. 3, "Symphony of Sorrowful Songs." A recording of that work surprised everyone when it topped the charts in 1992. Its somber, churning waves of grief were dismissed by a few as lacking the depth and complexity of his earlier works — but the album sold over a million copies.

Here, a fine regional mixed choir from northeast Poland shines as it pays close attention to Górecki's dynamic markings. The sound comes in waves as the Choir of the Podlasie Opera and Philharmonic in Białystok, led by Violetta Bielecka, swells proudly, then delicately recedes to a near whisper. Long notes, held at the ends of phrases, are delivered fresh and clearly focused, making it all sound so elemental.

Sometimes less really is more.

The Very Best of Górecki is out now on the DUX label.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

Related Content