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'Art Of The Deal' Ghostwriter On Why Trump Should Not Be President

Tony Schwartz (from left), Ivana Trump, photographer Francesco Scavullo and Donald Trump celebrate the publication of Donald Trump's 1987 book, <em>The Art of the Deal,</em> which was ghostwritten by Schwartz.
Ron Galella
/
WireImage/Getty Images
Tony Schwartz (from left), Ivana Trump, photographer Francesco Scavullo and Donald Trump celebrate the publication of Donald Trump's 1987 book, The Art of the Deal, which was ghostwritten by Schwartz.

In 1987, the book The Art of the Deal elevated Donald Trump from playboy developer to best-selling author.

From the opening paragraph of Trump's self-portrait as a shrewd and creative dealmaker:

Trump's name is on the cover of that book. But there's another one, too — beneath the portrait and the big golden letters spelling out TRUMP — the name of Tony Schwartz, the book's ghostwriter.

Schwartz did not weigh in on the presidential campaign until this week in a lengthy interview with The New Yorker.

Schwartz tells All Things Considered's Robert Siegel that he is speaking out now because he is extremely concerned about what Trump would be like as a president.

He says the portrait that he painted of Trump in The Art of the Deal is not accurate.

"I helped to paint Trump as a vastly more appealing human being than he actually is. And I have no pride about that. ... I did it for the money. It's certainly weighed on me over the years," Schwartz says. "Now, since he's ... in a position to potentially become president, it makes my decision back then look very different than it did at the time."

Schwartz spent 18 months on the book, including eight or nine months sitting in Trump's office virtually every morning to get the information he needed.

"One of the chief things I'm concerned about is the limits of his attention span, which are as severe as any person I think I've ever met," Schwartz says. "No matter what question I asked, he would become impatient with it pretty quickly, and literally, from the very first time I sat down to start interviewing him, after about 10 or 15 minutes, he said, 'You know, I don't really wanna talk about this stuff, I'm not interested in it, I mean it's over, it's the past, I'm done with it, what else have you got?' "

The idea of a president in an "incredibly complex and threatening world who can't pay attention is itself frightening," Schwartz says.

Add to that the fact that Trump is so easily provoked, that what Schwartz calls Trump's insecurity "makes him incredibly reactive whenever he feels threatened, which is very, very often."

As an example, Schwartz says, his interview in The New Yorker came out on Monday. On Tuesday, he received "a long and threatening letter from his lawyer designed, I think, to muzzle me."

"For 25 years, I think Trump has done a very, very effective job of muzzling anyone who has worked for him or with him by signing very, very strict nondisclosure agreements before they start working with him," Schwartz says. "It just turns out that I started with him so early that he hadn't thought of it yet."

"The reason I'm stepping up is because no one else seems to be free or willing to do so," Schwartz says. "Believe me, it is not fun."

Use the audio link above to hear the full conversation.

Copyright 2023 NPR. To see more, visit https://www.npr.org.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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