© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
With our partner, The Connecticut Historical Society, WNPR News presents unique and eclectic view of life in Connecticut throughout its history. The Connecticut Historical Society is a partner in Connecticut History Online (CHO) — a digital collection of over 18,000 digital primary sources, together with associated interpretive and educational material. The CHO partner and contributing organizations represent three major communities — libraries, museums, and historical societies — who preserve and make accessible historical collections within the state of Connecticut.

Calder in Connecticut

July 22 is the birthday of Alexander Calder, one of the best-known and most prolific sculptors of the 20th century.  His work hangs in museums all over the world, but for over 40 years, he lived and worked in Roxbury, a small town in Connecticut’s Litchfield Hills.

Calder was born into a family of artists in Lawnton, Pennsylvania in 1898.  His father and grandfather were both sculptors and his mother was a painter.  He studied mechanical engineering in college and his engineering training served him well throughout his career, even though he became a professional artist in his twenties. He is best known for his mobiles, kinetic sculptures made up of geometric shapes and colors. These mobiles are works of engineering as well as art, perfectly balanced to gently twist and turn with the currents in the air.

Calder and his wife Louisa James moved to Connecticut in 1933. They purchased an old farmhouse in Roxbury, painted the main house flat black, and converted the old ice house into a studio where Calder created his art.  Soon after Calder moved to Roxbury, Chick Austin, the legendary director of the Wadsworth Atheneum, began exhibiting and purchasing his work.  Calder became an integral part of Austin’s circle, designing stage sets for a theatrical production and costumes for the Paper Ball, an elaborate costume party.

Calder also created prints; jewelry; wooden and wire sculptures (which he termed “constellations”); and large stationary sculptures (called “stabiles”). One of Calder’s largest stabiles is one of Hartford’s most recognizable landmarks. Stegosaurus stands fifty feet high and is made of orange coated steel plates constructed in Waterbury. It is the centerpiece of Burr Mall, a small park adjacent to Hartford City Hall and the Wadsworth Atheneum in downtown Hartford.

Alexander Calder died in New York City on November 11, 1976, and is buried in Roxbury.

Tags

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

Related Content