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Rickie Lee Jones' Divine Departure

In Rickie Lee Jones' heaven, Janis Joplin works at the corner bar and folks ride around in Elvis' Cadillac.

It's a paradise that only the "Dutchess of Coolsville" could imagine, and one she's brought to vivid life in her new album, The Sermon on Exposition Boulevard.

The Grammy winner's first original album in four years was inspired by the words of Jesus – some with a bit more poetic license than others.

Jones isn't religious in the traditional sense. Growing up, she occasionally attended Catholic mass, but was never baptized. She tells host Debbie Elliott that in America, Jesus is "kind of owned by the religious right."

Jones says her album is an attempt to spark a conversation about Jesus' teachings, and make him more accessible to people who don't go to church.

She credits longtime friend Lee Cantelon with providing the genesis of her new album. In 1997 Cantelon published The Words, a compilation of Jesus' words taken from the four Gospels of the New Testament.

He turned his book into a spoken-word project, and in 2005 he asked Jones to read a passage. Rather than do a reading, Jones improvised and sang "Nobody Knows My Name," which eventually became the first track on the album.

The Sermon on Exposition Boulevard doesn't stray entirely from Jones' bohemian roots. The lyrics, which tell stories of the divine and the worldly, still contain her beat-poet style.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.