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The Summer After 9/11, A Photographer Documents A City's Healing

NYC Pride Parade, Summer, 2002
Lucas Foglia
NYC Pride Parade, Summer, 2002

This is how I remember New York City during the first summer after the September 11 attacks. I was 19 years old and had just moved to Manhattan from my family's farm on Long Island.

Workers were removing the last of the debris from the collapsed Twin Towers. People were coming outside again. The parades were packed. Much of the city felt alive, hopeful, and strong – even in the shadow of the event that had just happened 9 months before.

Other areas were more guarded — the people I photographed at the Pakistan Day Parade, for example, were much more cautious and talked about the deep prejudice they'd experienced. And the people I met who'd lost loved ones were still deeply in mourning.

I photographed that summer because I wanted to show the city healing, both in celebration and unity, and with some scars. I walked through the city's five boroughs with my camera. When someone made eye contact with me, I asked if I could make a portrait of them.

<strong>Left:</strong> East Village; <strong>Right:</strong> Upper West Side. Summer, 2002
/ Lucas Foglia
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Lucas Foglia
Left: East Village; Right: Upper West Side. Summer, 2002

At first, I assumed people would respond with caution. I was a stranger. The city was recovering from an event that shook its sense of security. Yet, most people said yes and looked straight into my camera lens. I tried to portray everyone with dignity, regardless of age, gender, sexual orientation, race, or ethnicity.

Published by Stanley/Barker on the 20th anniversary of the September 11 attacks, this book is a counterpoint to the militarization and polarization that happened following 9/11.

Now, as the world begins to heal from the coronavirus pandemic, I hope this book reminds people to approach strangers with empathy, across social distances.

East Village. Summer, 2002
/ Lucas Foglia
/
Lucas Foglia
East Village. Summer, 2002
<strong>Left:</strong> Williamsburg; <strong>Right:</strong> East Village. Summer, 2002.
/ Lucas Foglia
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Lucas Foglia
Left: Williamsburg; Right: East Village. Summer, 2002.
Wall Street. Summer, 2002.
/ Lucas Foglia
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Lucas Foglia
Wall Street. Summer, 2002.
Arthur Avenue. Summer, 2002.
/ Lucas Foglia
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Lucas Foglia
Arthur Avenue. Summer, 2002.
Harlem. Summer, 2002.
/ Lucas Foglia
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Lucas Foglia
Harlem. Summer, 2002.
<strong>Left:</strong> Williamsburg; <strong>Right:</strong> Chinatown. Summer, 2002.
/ Lucas Foglia
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Lucas Foglia
Left: Williamsburg; Right: Chinatown. Summer, 2002.
Coney Island. Summer, 2002
/ Lucas Foglia
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Lucas Foglia
Coney Island. Summer, 2002
Coney Island. Summer, 2002
/ Lucas Foglia
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Lucas Foglia
Coney Island. Summer, 2002
Times Square. Summer, 2002
/ Lucas Foglia
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Lucas Foglia
Times Square. Summer, 2002


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Lucas Foglia is a photographer, exhibiting his work internationally in galleries, festivals, and museums. He is represented by Michael Hoppen Gallery in London, MiCamera in Milan, and Fredericks & Freiser Gallery in New York City. He also photographs for numerous magazines and collaborates with non-profit organizations on social and environmental causes. Summer After, published by Stanley/Barker, is his fourth book. Follow Foglia on instagram for more work: @lucasfogliaphoto

Copyright 2023 NPR. To see more, visit https://www.npr.org.

Lucas Foglia
Michele Abercrombie

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

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