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With our partner, The Connecticut Historical Society, WNPR News presents unique and eclectic view of life in Connecticut throughout its history. The Connecticut Historical Society is a partner in Connecticut History Online (CHO) — a digital collection of over 18,000 digital primary sources, together with associated interpretive and educational material. The CHO partner and contributing organizations represent three major communities — libraries, museums, and historical societies — who preserve and make accessible historical collections within the state of Connecticut.

Augustus Washington (1820 - 1875)

Augustus Washington was one of the most talented and successful photographers in mid-1800s Connecticut. He was also an African American. Washington lived in Hartford from 1844 until 1853 and was actively involved in the Abolitionist Movement and the life of Hartford’s free black community. Though his work depicts people of different classes and cultures, ironically, no portraits of African Americans survive from his years in Hartford. 

Augustus Washington was born free in Trenton New Jersey in 1820, the son of former slaves. Determined to get an education, and working against the odds of poverty and racial prejudice, he attended schools in New Jersey, New York and New Hampshire.

Although he was ultimately admitted to Dartmouth College in the fall of 1843, he was forced to leave after one year for financial reasons.

In addition to working at a variety of other jobs, Washington learned the skill of “daguerreotypy” in order to make money to pay for his education. The daguerreotype, named for Jacques-Louis Daguerre, who invented the process in 1839, was the earliest form of photograph to become widely available.  Its precise mirror-like images seemed miraculous to a public that previously had known only artist’s renderings. 

Washington came to Hartford in the fall of 1844 to run Talcott Street Congregational Church’s North African School, one of two schools in Hartford for black students. Under the leadership of the Reverend James W. C. Pennington, this church was a hub of regional anti-slavery activity. 

In 1846, Washington left teaching, and opened his daguerreotype studio on Main Street, one of twenty such studios that opened in Hartford between 1840 and 1855. Although many of these businesses quickly failed, Washington established a reputation for quality, and prospered for more than six years. A newspaper advertisement at the time read “Washington is at home, and daily executing beautiful and correct Miniatures, equal to any in this country, at his uncommonly cheap prices.”

Believing that African Americans could not “develop [their] moral and intellectual capacities as a distinct people” in the United States, Washington and his family left Hartford for Africa in 1853. .He became a prominent citizen of Liberia, a West African colony founded in 1820 for freed American slaves and others of African descent. 

A substantial collection of his portrait photographs is housed in The Connecticut Historical Society, One Elizabeth Street, Hartford, CT 06105.  For more information, go to www.chs.org.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.