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Remembering Robert Stone, Writer and Teacher: "Insight Is What Gets You Through"

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"I think the very process of writing fiction, writing poetry, writing anything that is intended to stir the soul, is by way of being of service."
Robert Stone

Novelist Robert Stone, author of A Flag for Sunrise and Hall of Mirrors, died Saturday at his home in Key West, Florida. He was 77.

Stone was a finalist twice for the Pulitzer Prize, and won the National Book Award in 1975 for his novel Dog Soldiers

NPR reported that Stone "was a neglected and traumatized child who learned early not to trust reality, a lapsed Catholic consumed by questions of sin and redemption."  

A native New Yorker, Stone was abandoned by his father at birth. His mother was institutionalized because of schizophrenia, so he ended up in a Catholic orphanage. A high school dropout, Stone joined the Navy and landed in New Orleans in his 20s. There, he wrote, experimented with drugs, and spent time with the likes of Ken Kesey and Neal Cassady. 

"We were there on Perry Lane, and Bob Stone came in with a face lit with whiskey and anarchism," Kesey told the Times Magazine before his death in 2001. "And he said, 'I hear you’re the bull goose looney writer in this neck of the woods.' I took it as a challenge. What impressed me about Bob was his ability to riff. This is what made him a Prankster."

Credit State University of New York
/
State University of New York
Robert Stone.

Later in his life, Stone was an instructor at various institutions, including Amherst College and Yale. The writer considered himself a teacher, and took that role very seriously. 

"I do more thinking about the impact I may have made as a teacher than I think a lot of writers who spend time in classrooms do," Stone said in a 2013 interview on WNPR's The Colin McEnroe Show. "I think the very process of writing fiction, writing poetry, writing anything that is intended to stir the soul, is by way of being of service, insofar as insight is what gets you through, and insofar as the purpose of fiction -- the purpose of poetry, of writing of any kind -- is the furthering of insight." 

When he was teaching would-be writers, Stone said, "They are about to take on a service that they have to perform, that they’re bound to perform, with a certain degree of responsibility. That’s very much on my mind, and I like it to be on theirs." 

Listen below to Robert Stone talk about being a teacher: 

Hartford resident Rand Cooper, writer and former student of Stone's, wrote about Stone's class at Amherst College:

He had a big beard and sat at the head of the seminar table smoking nonstop — the deepest, most intense cigarette inhaler I’ve ever been privileged to watch. His counterculture credentials were impeccable. He had traveled everywhere and entertained us with stories of New Orleans, Mexico, Vietnam and the Caribbean. People were always either getting high or getting beaten up in some alley. It was a Kerouackian notion of the writing life, but he was a better writer than Kerouac. At the beginning of the semester he profoundly read aloud Conrad’s Preface to The Nigger of the Narcissus, and smoked those cigarettes, and made everyone believe that writing fiction was the most majestic thing any of us might aspire to.

Listen below to Stone talk about relating to the characters in his 2013 novel Death of the Black-Haired Girl, which takes place largely on a college campus:

Catie Talarski is Senior Director of Storytelling and Radio Programming at Connecticut Public.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.