© 2025 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Another Century, Another Space 'Invasion'

Back in 1956, The Invasion of the Body Snatchers was a B movie about zombies. Today a remake, The Invasion, stars Oscar winner Nicole Kidman, alongside Daniel Craig, the most recent James Bond. The good news is that the power of the original story remains undiminished more than half a century after its creation.

The core of the tale remains as it was conceived by science-fiction writer Jack Finney. Mysterious entities from outer space — pods in the original, spores in the current version — attempt to take over the world by creating zombie-like replicas of everybody and his brother. Gradually, a few folks catch on and attempt to save the beleaguered human race.

Invasion has been brought up to the minute, with characters who text-message each other and references to Iraq, Darfur and Venezuela's Hugo Chavez. More to the point, it remains fascinating how effortlessly the story dovetails with whatever is troubling in the zeitgeist, which today includes worries about global pandemics and the excessive powers of governments gone wild.

Given that almost anyone who goes to see The Invasion will know its storyline, the film makes the shrewd choice of starting with a flash-forward to the pulse-pounding middle of the film. Our heroine, played by Kidman, is ransacking a wrecked pharmacy for pills to keep her awake; it's while you sleep that the transformation from human to alien takes place, you see, so sleep is something very much to be avoided.

While parts of the film suffer from unoriginality or implausibility, Invasion does very well in conveying the bump-in-the-dark terror of having armies of implacable zombies tracking you down like Sherlock Holmes on the trail of an enormous hound.

And Kidman and Craig use their considerable talents to bring credibility to a pulp premise. It's kept people up at night for more than 50 years and promises to do so for some time into the future.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Kenneth Turan is the film critic for the Los Angeles Times and NPR's Morning Edition, as well as the director of the Los Angeles Times Book Prizes. He has been a staff writer for the Washington Post and TV Guide, and served as the Times' book review editor.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.