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This Trailer Show is Rated G for Great

Credit https://www.flickr.com/photos/sarchi/1279251301/

This hour, we talk about movie trailers. Maybe you wonder what a movie critic thinks of them. Actually, critics don't see as many as you do because they often go to special screenings.

I asked America's Greatest Living Film Critic, David Edelstein, about trailers. He answered, "Actually, I avoid them like the plague. I don’t watch them online, and when I see movies in theaters, I often whip out my Kindle and plug my ears. If I’m on the aisle, I leave and get a Diet Coke. Trailers give away everything. They give away jokes. More than that, they orient you to the narrative in a way I don’t like being oriented. (Of course, I have the luxury of going into a movie NOT KNOWING WHAT IT’S EVEN ABOUT because I get paid to do so, but that’s my preferred way to work—to be left in the hands of the storyteller.) As for as awful ones I have seen… I remember 'Nebraska' in particular as being terrible, because the pace and tone of that movie are antithetical to the way mainstream trailers work. It said QUIRKY. OFFBEAT. LOVABLE. Among the best, I recall 'Batman Returns' as being so great. I thought the movie itself was an overrated shambles—a really terrible piece of storytelling—but even Tim Burton’s worst movies have so many good images and set-pieces that they really read in trailers."

For the rest of us, trailers are either a pain or a pleasure.

What do you think? Comment below, email Colin@wnpr.org, or tweet @wnprcolin.

GUESTS:

  • Stephen Garrett is the founder of Jump Cut, an advertising company that specializes in trailers. He has worked on more than 250 trailers and has received 12 Golden Trailer awards and 29 nominations
  • Allan Arkush worked in the trailer department for Roger Corman at the start of his career. He went on to direct a number of films, such as Rock 'n' Roll High School, and television shows. He is a contributor to the web series Trailers from Hell
  • Sam Hatch is a member of The Culture Dogs
  • Kevin O'Toole is a member of The Culture Dogs, they host a show on WWUH on Sunday evenings

Colin McEnroe is a radio host, newspaper columnist, magazine writer, author, playwright, lecturer, moderator, college instructor and occasional singer. Colin can be reached at colin@ctpublic.org.
Chion Wolf is the host of Audacious with Chion Wolf on Connecticut Public, spotlighting the stories of people whose experiences, professions, or conditions defy convention or are often misunderstood.
Betsy started as an intern at WNPR in 2011 after earning a Master's Degree in American and Museum Studies from Trinity College. She served as the Senior Producer for 'The Colin McEnroe Show' for several years before stepping down in 2021 and returning to her previous career as a registered nurse. She still produces shows with Colin and the team when her schedule allows.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.