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The End of Overeating: Taking Control of the Insatiable American Appetite

Dr. David A. Kessler, the dynamic and controversial former FDA commissioner known for his crusade against the tobacco industry, is taking on another business that's making Americans sick: the food industry. In The End of Overeating, Dr. Kessler shows us how our brain chemistry has been hijacked by the foods we most love to eat: those that contain stimulating combinations of fat, sugar, and salt.

Drawn from the latest brain science as well as interviews with top physicians and food industry insiders, The End of Overeating exposes the food industry's aggressive marketing tactics and reveals shocking facts about how we lost control over food—and what we can do to get it back. For the millions of people struggling with their weight as well as those of us who simply can't seem to eat our favorite foods in moderation, Dr. Kessler's cutting-edge investigation offers valuable insights and practical answers for America's largest-ever public health crisis. There has never been a more thorough, compelling, or in-depth analysis of why we eat the way we do. 

The Watermill Center is an interdisciplinary laboratory for the arts and humanities completed in 2006 on the Long Island, NY site of a former Western Union communication research facility. Founded by theater and visual artist Robert Wilson as a place for young and emerging artists to work, learn, create, and grow with each other, Watermill integrates performing arts practice with resources from the humanities, research from the sciences, and inspiration from the visual arts. Watermill is unique within the global landscape of experimental theatrical performance, and regularly convenes the brightest minds from all disciplines to do, in Wilson’s words, "what no one else is doing."

The Watermill Center supports projects that integrate genres and art forms from diverse view points and that break traditional forms of representation and cultural specifics. At the core of Watermill's programming lies the year-round support of artists in residence. Through both the International Summer Program—a highly collaborative residency led by Wilson—and through one to four week individual residencies hosted from September through June, Watermill annually welcomes over 150 artists from around the world. This unparalleled global residency program is complemented by educational programs with schools and other local institutions, public events such as open rehearsals and lectures, tours of the building and grounds, and seminars and symposia.

The Watermill Center itself is a 20,000+ square foot flexible working space including a 6,000 volume research library, galleries, rehearsal and staging spaces, workshops, offices, and residences situated on six acres of artist-designed and landscaped grounds. The Watermill Collection of over 7,000 art and artifact pieces spanning the history of humankind is integrated into all aspects of the building and grounds as a reminder that the history of each civilization is told by its artists.