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Bo Diddley's Unique Rhythm Continues to Inspire

Bo Diddley performs during the U.S. Open in Flushing Meadows, N.Y., on Aug. 29, 2005.
Nick Laham / Getty Images
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Bo Diddley performs during the U.S. Open in Flushing Meadows, N.Y., on Aug. 29, 2005.

Bo Diddley ushered in an era of rock with his driving trademark rhythm. The Latin-influenced beat inspired the music of punk, rock and pop legends including Buddy Holly's "Not Fade Away" and U2's "Desire." At age 78, Diddley still dresses in his distinctive outfit, performing old classics and new music for today's youth.

He almost never got started on his signature square guitar. Diddley started out playing violin, but gave it up when he broke his finger. He then turned to an instrument with more prominent black role models.

"One dude [who] caught my fancy was John Lee Hooker," who, like Diddley, has roots in Mississippi. "I told my sister, 'If that cat can play, I know I can learn.'"

Diddley did more than learn — he crafted a unique musical style that combined sounds from different genres that became popular in the 1950s.

The song "Hot" was inspired by an American Indian tribal scene. "[Imagine] they're dancing around a daggone big fire with their spears," Diddley says.

He chose to use a Latin percussion from another musical genre. "I got the maraca idea from Calypso music," Diddley says. "Because it gave me a sound of a big echo room that sounds like it's inside you."

His unique music was covered by legendary musicians including the Rolling Stones, the Animals, Bob Seger, the Who and Aerosmith. Yet, like many artists of his era, Diddley says he wasn't adequately compensated for the numerous covers of his songs.

"Where's the money? Where did it go? It didn't come to me," Diddley says. "We were in a very messed up situation between black and white."

Diddley paints a picture of the executives pondering his compensation: "'Give him $20 and he's happy. Buy him a car. Buy him a Cadillac and he'll be fine — you know, that's all they need in the ghetto.'"

Diddley's songs included the suggestive "I'm a Man," but he dislikes the explicitly sexual and misogynistic lyrics of today's music. He has written songs encouraging youth to stay in school and off drugs, and performs them in churches and colleges.

At 78, Diddley remains an energetic musical presence.

"Tell everybody you never get too old to rock 'n' roll."

Features in this series are produced by David Schulman and NPR's Jeffrey Freymann-Weyr.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

David Schulman

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.