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As 'The New Yorker' turns 100, its art editor reflects on magazine's distinct look

Françoise Mouly, art editor of The New Yorker, speaks during an interview with AFP in her office at The New Yorker in New York City on August 23, 2022.
Timothy A. Clary
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AFP via Getty Images
Françoise Mouly, art editor of The New Yorker, speaks during an interview with AFP in her office at The New Yorker in New York City on August 23, 2022.

Updated May 5, 2025 at 12:10 PM EDT

The first issue of The New Yorker published 100 years ago this week.

The cover featured the magazine's mascot: a dandy, looking through a monocle at a butterfly.

The character and artwork was meant to be an "image of sophistication and making fun of itself at the same time," Françoise Mouly, who has served as the magazine's art editor for 32 years, told Morning Edition.

"And that's something that we try to do every week to not take ourselves too seriously while still looking and scrutinizing the world with a distinctive monocle," Mouly said.

That distinctive view has led to the publication of some of the most important pieces of cultural commentary and landmark storytelling in U.S. history, including the publication of Truman Capote's In Cold Blood and Ronan Farrow's Pulitzer Prize-winning exposé on Harvey Weinstein that sparked the MeToo Movement.

Staff prepare for The New Yorker's party to celebrate Book Expo America 2003 on May 30, 2003 at Chaya Brasserie in Beverly Hills, Calif.
Amanda Edwards / Getty Images
/
Getty Images
Staff prepare for The New Yorker's party to celebrate Book Expo America 2003 on May 30, 2003 at Chaya Brasserie in Beverly Hills, Calif.

Throughout it all, the first thing print readers see are the weekly magazine's standout covers, some of which are meticulously hand-crafted, Mouly said.

"It looks different from all the other magazines because it was started in the era where magazine was a prime visual medium and the cover, as been for all of this time, a drawing done by an artist and signed by the artist," Mouly said.

Other magazines, she continued, have moved on to formulas that feature celebrities or cover lines that explain to readers what's inside and why they should pick up that magazine.

"The New Yorker has none of that," Mouly said, adding that the artists who design and sign the covers just try to bring out a feeling.

"Ideally [to] make you laugh or touches you emotionally, gives you a sense of what's going on in the world, but not through words," Mouly said.

To mark its 100-year anniversary, The New Yorker has published six covers by different artists, which are all riffs on its dandy mascot. You can see them here.

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[Copyright 2024 NPR]

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Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

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All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

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