Heber López, 29, performs a 'head spin' at a traffic light in the south of Cali, Colombia, as he dances for money.
Break dance, or "breaking," has always been nourished by migration since the late '60s, with the different ways of conceiving this dance between New Yorkers, Latinos, Europeans and Asians. The breakingthat was traditionally danced in the Bronx or Manhattan was never the same after dancers adopted the rhythms of salsa, DJing and found inspiration in the acrobatics of kung-fu movies.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Laura Mámbel, 30, on a terrace in the El Rincón neighborhood, in southwest Medellín, Colombia.
Colombia is no exception to that rule: Every year, dozens of Venezuelan migrants arrive seeking to deconstruct their way of conceiving breaking. "I migrated to make art," says Alexander Roque, who arrived to Cali from Valencia, Venezuela.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Bboy Alexander Roque keeps a photo of his mother, Ana Beatriz Rojas, who decided to stay in Venezuela despite the crisis, with him to keep the memory of his family alive in his life in Colombia. Roque arrived in the city from Valencia, Venezuela, in 2021.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Joseph Azuaje, a bboy who goes by 'Alf,' performs a somersault during a short Rebel Warrior crew performance in front of a restaurant in western Cali, Colombia, in January.
Someone who engages in this art — and future Olympic sport — is known as a bboy or a bgirl, with the "b" referring to breaking.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Carlos González, a bboy who goes by 'Titi,' gestures as a reference to Venezuela, in July. In the background are the attendees of the 2022 Hip al Parque, in Bogotá, Colombia. Around 70,000 people filled Simon Bolivar Park, where the event was held.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Alfonso Berti Ibañe, who goes by 'Murdeking,' kisses her wife, Daniela Mariceth Corcho, at a street in Cali, Colombia, in May. They met in 2016 in Barranquilla, Colombia, one the first cities 'Murdeking' arrived in after leaving Naguanagua, Venezuela.
Some breakdancers migrate specifically to improve their skills and create a community — a family — around hip hop culture to help them face their own migration process.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Laura Mámbel, 30, performs a headstand on a terrace in the El Rincón neighborhood of Medellín, Colombia. Her main goal is having an economically sustainable life through dance.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
From left to right: Ibsen Jiménez, Joseph 'Alf' Azuaje, Gabriel 'Gohan' Arocha (from Perú) and Jim 'Mighty Jake' Párraga, members of the Flava and Spice Crew, pose for a photo in the Santa Lucía neighborhood south of Bogotá, Colombia, on July 3, 2022.
These bboys and bgirls are also part of an ongoing migration between groups. Medellín is considered by the bboys and bgirls as the capital of breaking. Flava and Spice, a Venezuelan crew led by Gabriel Arocha, won Bogotá's Hip Hop al Parque for the first time in 25 years this past summer.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Dubraska Monterrey hugs his boyfriend Ibsen Jiménez, in an apartment located in the Santa Lucía neighborhood, south of Bogotá, on July 3, 2022. That night they slept under a check for $11 million pesos (roughly $2,500 US dollars) after winning the 2022 Hip Hop al Parque competition.
Some of the group's members are also part of Chicos del Barrio, another break dance group formed by six Colombian breakingdancers and three Venezuelans bboys, Ibsen Jiménez, Jim 'Mighty Jake' Párraga and Joseph 'Afl' Azuaje.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Bboys from Venezuela practice a choreography in front of La Tertulia Museum, in Cali, on January 7, 2022. Usually, before embarking on the tours in search of money, the artists meet at this point to fine-tune their performances.
According to several Venezuelan bboys and bgirls, xenophobia was something that also manifested itself in the world of hip hop in Colombia during the first years of migration, around 2017 and 2018.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Yoandri Bacho, bboy 'Kimera', maded a play/stop tattoo in his chest to symbolize his connection with music, especially hip hop.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Gabriel Arocha, 36, moves to the rhythm of a song in the living room of his apartment, located in Medellín's Las Violetas neighborhood in July. Arocha, who was born in Barquisimeto, Venezuela, arrived in the city in 2017, when the migration crisis was just beginning.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Left: Heber Lopez at one of the hallways of Cali Bus Terminal, on his way to Bogotá to participate in the 2022 Hip Hop al Parque, where he was a finalist with his crew the RBN. Right: Gabriel Arocha's Venezuelan passport. The bboy has travelled to more than 12 countries in Latin America and Europe for breaking competitions.
However, that mindset has shifted. Nowadays, the ongoing migration is perceived as an exchange of knowledge and skills between bboys and bgirls to transcend as a competitive art and sport.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Joseph 'Alf' Azuaje (center), performs a freeze during a battle between Chicos del Barrio, made up of Colombians and Venezuelans, against a crew from Bogotá, during the Free Style Session Latin America.
For bboys and bgirls, migration is not only physical, it is also an exchange of idiosyncrasies, dance steps, tricks and finding people they can relate to.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
Alexander Roque, 22, takes a shower in the Meléndez River, south of Cali, Colombia, to relax his muscles after 30 short performances under one of the city's traffic lights in February.
/ Jair Fernando Coll Rubiano
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Jair Fernando Coll Rubiano
With a chalk, Heber López marks the 30 rounds of short presentations made at a traffic light in the south of Cali, on May 8, 2022. When a group of four or five b-boys work at that kind of place for almost three hours, each of one can gathered between $15.000 and $40.000 colombian pesos.
Estefania Mitre (she/her/ella) is a production assistant for social media who works with visual elements to amplify stories across platforms. She has experience reporting on culture, social justice and music.
Jaír Fernando Coll Rubiano
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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.
The independent journalism and non-commercial programming you rely on every day is in danger.
If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.
Now all of that is at risk.
Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.
Together, we can defend it. It’s time to protect what matters.
Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.
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