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Opinion: Great writers on Los Angeles

The Pacific Ocean is seen in the distance beyond palm trees and the charred remains of homes destroyed by the Palisades Fire in the Pacific Palisades neighborhood of Los Angeles, California, on January 13, 2025.
Patrick T. Fallon
/
AFP via Getty Images
The Pacific Ocean is seen in the distance beyond palm trees and the charred remains of homes destroyed by the Palisades Fire in the Pacific Palisades neighborhood of Los Angeles, California, on January 13, 2025.

Los Angeles has long been a kind of dreamscape, the city of the silver screen, on the edge of a great ocean, that draws in people from all over the world, despite the looming threats of being shaken by earthquakes or scorched by wildfires.

Many great writers have been drawn to Los Angeles.

"Los Angeles was the kind of place where everybody was from somewhere else and nobody really dropped anchor," the great crime writer, Michael Connelly, who is originally from Philadelphia, writes in his 2008 The Brass Verdict. "People drawn by the dream, people running from nightmare…everybody in LA keeps a bag packed. Just in case."

Héctor Tobar, the son of Guatemalan immigrants, writes in his 2011 novel The Barbarian Nurseries, "The train had brought them to this place called Los Angeles, where the magical and the real, the world of fantasy books and history, seemed to co-exist on the same extended stage of streets, rivers, and railroad tracks."

Robert B. Parker brought his famed Boston private eye Spenser to LA for his 1981 novel, A Savage Place, and observed, "L.A. was a big, sunny buffoon of a city… where the dream had run up against the ocean..."

Raymond Chandler, one of the inventors of detective fiction, grew up in the U.S. Midwest and London before he settled in California. He opened his 1938 short story "Red Wind" by saying, "There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch."

Those same Santa Anas, which blow dry air from the Great Basin to the California coast, fueled this month's ruinous wildfires.

"Los Angeles weather is the weather of catastrophe, of apocalypse," Joan Didion, a native California writer, said in her 1968 book of essays, Slouching Toward Bethlehem.

"(T)he violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability," wrote Joan Didion. "The winds show us how close to the edge we are."

We may feel a sharpness in her words to shake us all, in Altadena, Asheville, Tampa, and Greenfield, Iowa, as we struggle through ever more fires, floods, hurricanes and tornadoes.

Copyright 2025 NPR

Scott Simon is one of America's most admired writers and broadcasters. He is the host of Weekend Edition Saturday and is one of the hosts of NPR's morning news podcast Up First. He has reported from all fifty states, five continents, and ten wars, from El Salvador to Sarajevo to Afghanistan and Iraq. His books have chronicled character and characters, in war and peace, sports and art, tragedy and comedy.

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SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

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