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At 92, Ed Dwight looks back on a life that reached for the stars

JUANA SUMMERS, HOST:

At 92, sculptor and engineer Ed Dwight has lived multiple lives. In the '60s, he trained to become America's first Black astronaut. But when NASA passed him over, he found his calling in bronze. Colorado Public Radio's Ryan Warner reports.

RYAN WARNER, BYLINE: Ed Dwight celebrates Blackness in America with more than a hundred memorials nationwide of civil rights activists, musicians, athletes and cowboys. But in a new retrospective at the History Colorado museum, he says the piece that means the most to him is Dirt Farmers. It depicts his grandparents who farmed in Kansas City. His grandfather collected scrap metal.

ED DWIGHT: Being on the farm, he had a wagon and a horse and a mule, and we would drive all through the city picking up junk. And I would jump off the wagon when he saw a piece of junk. Well, that's how I started my art career - it was doing junk.

WARNER: Abstract pieces, but a mentor encouraged him to switch to likenesses, which meant learning about historical figures Dwight wasn't exposed to in school.

DWIGHT: I didn't know who Harriet Tubman was until I was 42 years old, and Frederick Douglass. I never knew they existed.

WARNER: Dwight says there's an intimate relationship between artist and subject.

DWIGHT: I cannot do a sculpture of anybody unless I become them. I study pictures of them from every angle - actually transform myself into whoever I'm sculpting. And if I'm satisfied with how I feel, where I feel physically and spiritually and emotionally, then I'll stop and move to the next one.

WARNER: Dwight remembers sculpting baseball legend Hank Aaron, who'd flown in to see the progress.

DWIGHT: His face had fallen off on the floor 'cause it got so hot that the clay melted, and his ass dropped down. That guy had a big ass in the beginning - really interesting guy.

WARNER: Dwight fixed it, and he says the two became close friends. Today, illness and vision loss mean Dwight no longer sculpts, but he hopes to write books about his artistic adventures, like the time he says the Mafia approached him, hoping to use his foundry for forgeries. Dwight says he declined. The show "Casting A Legacy" runs through early next year at History Colorado Center.

For NPR News, I'm Ryan Warner in Denver.

(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Ryan Warner

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Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.