© 2026 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

War in Iran, through the eyes of CT artists and humanitarians

Heavy damage around Ferdowsi Square in central Tehran following U.S. and Israeli strikes on Iran, with debris scattered across nearby buildings, including reported damage near a Diplomatic Police post, on March 3, 2026.
Fatemeh Bahrami
/
Anadolu / Getty Images
Heavy damage around Ferdowsi Square in central Tehran following U.S. and Israeli strikes on Iran, with debris scattered across nearby buildings, including reported damage near a Diplomatic Police post, on March 3, 2026.

The ongoing conflict in Iran has Afarin Rahmanifar reflecting on the emotional toll that the Iranian diaspora is experiencing and on her role as an artist in exile.

“It's heartbreaking to witness the loss of life in recent days,” Rahmanifar said. “As an artist, it's my duty to really document this history, not only from a voice of a woman, but also as a person that has been involved mentally and emotionally [in] recent days, months, and years.”

Rahmanifar is a Connecticut-based mixed media artist, who uses traditional Iranian and contemporary American techniques. She’s also an associate art professor at Eastern Connecticut State University and has been living in the U.S. since the 1979 Iranian Revolution.

“My art often navigates the space between personal narratives and collective history,” Rahmanifar said, “especially in moments when events in Iran echo deeply within the diaspora community.”

The U.S. killing of the country’s supreme leader has left Rahmanifar feeling uncertain about Iran’s future. However, she said what’s clear is that people in Iran will continue to push back against the country’s repressive political system.

“I'm not quite sure what's going to happen. Predicting that, it's difficult,” Rahmanifar said. “But from what I'm seeing and from family and friends that I have back home, they're not giving up. They're just going to keep going.”

That resilience is something Rahmanifar said she admires, and is a theme she often explores in her artwork.

“The collective support is both motivating and meaningful because it signals that the struggle for dignity and equal rights is being carried forward by a diverse and committed new generation uprising in Iran,” Rahmanifar said.

(L-R) “Threads of Silence: #3 – Women, Life, Freedom" and "Anatomic Myth of Self #2" by Afarin Rahmanifar, a Connecticut-based mixed media artist, who has been living in the U.S. since the 1979 Iranian Revolution.
Provided by Afarin Rahmanifar
(L-R) “Threads of Silence: #3 – Women, Life, Freedom" and "Anatomic Myth of Self #2" by Afarin Rahmanifar, a Connecticut-based mixed media artist, who has been living in the U.S. since the 1979 Iranian Revolution.

One cannot forget, however, the lives lost in this conflict, she said.

“My thoughts are with those who are mourning and with those living in fear or uncertainty,” Rahmanifar said. “In moments like this, it is important to center our shared humanity and remember the cost of violence and ordinary lives.”

Humanitarian ripple effects

Humanitarian aid organizations in Connecticut are also following the widening conflict in Iran and the Middle East.

Janti Soeripto, president and CEO of Fairfield-based Save the Children US, said nearby countries are already seeing the effects.

Speaking on Connecticut Public’s “Where We Live”, she estimated at least 30,000 people in Lebanon are displaced, while schools are closed, and children are in shelters.

“In Gaza, humanitarian access has been closed off, so again, fewer supplies are coming in, and we'll see the impact on children from Iraq to Syria to Israel to Lebanon and Gaza and the West Bank,” Soeripto said. “We're incredibly concerned as we and as we know children are uniquely sensitive and vulnerable in cases like this.”

Provash Budden, deputy senior vice president of emergency programs at Stamford-based Americares, said the challenges of getting aid to the region are immense.

An ambulance is parked near a sweeping blaze following Israeli bombardment on a solar farm and electricity generation facility in Lebanon's southern coastal city of Tyre on March 4, 2026. Israeli forces on March 4 advanced into a number of towns and villages in south Lebanon, a source from the UN peacekeeping force in the country, UNIFIL, told AFP.
KAWNAT HAJU
/
AFP / Getty Images
An ambulance is parked near a sweeping blaze following Israeli bombardment on a solar farm and electricity generation facility in Lebanon's southern coastal city of Tyre on March 4, 2026. Israeli forces on March 4 advanced into a number of towns and villages in south Lebanon, a source from the UN peacekeeping force in the country, UNIFIL, told AFP.

“You have to deal with checkpoints. Border closures. Damaged infrastructure. Rules and regulations. State and non-state actors as well to negotiate access through,” Budden said.

Budden said he is concerned about medical access for millions of people in the Middle East.

“Hospitals – health centers – have been damaged through years of conflict and war,” he said. “They’ve been closed down or they don’t have enough staff to operate services.”

Health care concerns in warzones extend beyond victims of immediate trauma, according to Budden. He said it is important to consider broken medical supply lines that can take much longer to fix.

Soeripto said they are both concerned about the long term implications for the region.

“There are rules to conflict like this. Hospitals, health clinics, schools should never be [hit],” Soeripto said. “Everything must be done to protect them from being targeted.”

Connecticut Public’s Patrick Skahill contributed to this report.

Daniela Doncel is a Colombian American journalist who joined Connecticut Public in November 2024.

In 2025, Daniela trained to be a leader in the newsroom as part of a program called the Widening the Pipeline Fellowship with the National Press Foundation. She also won first place for Best Radio/Audio Story at the 2025 NAHJ New England Awards.

Through her reporting, Daniela strives to showcase the diversity of the Hispanic/Latino communities within Connecticut.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

Related Content
Connecticut Public’s journalism is made possible, in part by funding from Jeffrey Hoffman and Robert Jaeger.