© 2026 Connecticut Public

FCC Public Inspection Files:
WEDH · WEDN · WEDW · WEDY
WEDW-FM · WNPR · WPKT · WRLI-FM
Public Files Contact · ATSC 3.0 FAQ
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Disney Introduces A Revamped Jungle Cruise Ride Without The Racist Imagery

One of the new scenes at Disneyland's updated Jungle Cruise ride, in which tourists of many ethnic backgrounds get chased by wildlife.
Christian Thompson
/
Disneyland Resort
One of the new scenes at Disneyland's updated Jungle Cruise ride, in which tourists of many ethnic backgrounds get chased by wildlife.

A ride at Disneyland that used to feature racist, colonialist depictions of Africans now emphasizes slapstick monkeys and chimpanzees besting clueless tourists instead.

Jungle Cruise, which originally opened in 1955, until recently featured spear-waving, headhunting Africans as part of the attraction. A revamped version of the ride opened Friday at Disney's theme park in Anaheim, Calif. Disney previously announced the ride will also be redone at Magic Kingdom Park at Walt Disney World in Orlando, Fla.

Carmen Smith, who leads inclusion strategies for Disney's Imagineering arm (which creates the company's theme park attractions), said in a Los Angeles Times interview that the goal is to make sure that "everyone who comes to our parks is seen and that they're heard."

"When we look at something and realize the content is inappropriate, and may perpetuate a misconception or a stereotype," Smith told the newspaper, "our intention is to take a look at it critically, and figure out a way to enhance it, to make the necessary changes so it is relevant."

The timing of the reimagined ride lines up with the release of a Jungle Cruise movie, starring Dwayne Johnson and Emily Blunt, set for a July 30 release.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Anastasia Tsioulcas is a reporter on NPR's Arts desk. She is intensely interested in the arts at the intersection of culture, politics, economics and identity, and primarily reports on music. Recently, she has extensively covered gender issues and #MeToo in the music industry, including backstage tumult and alleged secret deals in the wake of sexual misconduct allegations against megastar singer Plácido Domingo; gender inequity issues at the Grammy Awards and the myriad accusations of sexual misconduct against singer R. Kelly.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

Related Content