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5 takeaways from the 2026 Oscar nominations, where 'Sinners' made history

The 2026 Oscars nominations were announced Thursday morning. Sinners received a record number of nods. Clockwise from top left: Michael B. Jordan in Sinners, Wagner Moura in The Secret Agent, Brad Pitt in F1 and Teyana Taylor in One Battle After Another.
Warner Bros. Pictures; NEON; Scott Garfield/Warner Bros. Pictures/Apple Original Films; Warner Bros. Pictures
The 2026 Oscars nominations were announced Thursday morning. Sinners received a record number of nods. Clockwise from top left: Michael B. Jordan in Sinners, Wagner Moura in The Secret Agent, Brad Pitt in F1 and Teyana Taylor in One Battle After Another.

Oscar nominations are out, kicking off seven weeks of conversations about what the Academy got right (and wrong) today and predictions about what voters might still get wrong during the awards on March 15.

Here's what struck me when the lists were announced this morning.

Sinners dominated, followed by One Battle After Another 

Before this year, no movie had ever gotten more than 14 Oscar nominations. Three films — All About Eve, Titanic and La La Land — shared the top spot. This year, Ryan Coogler's brilliant vampire story Sinners bested that by two, landing 16 nominations. If it had been 15, you could argue that the new category honoring best casting (in which Sinners, yes, was nominated) was the difference. But with 16, that's a straight-up record-breaker. Of course, nomination numbers do not always equal wins, let alone wins for a big category like best picture.

One Battle After Another, with 13 nominations, is also formidable on numbers alone. But Sinners was nominated in every category in which it was competing, which is a stunning accomplishment. Since each branch of the Academy votes on its own nominees (and everyone votes for best picture nominees), that suggests that the film has strong support across every single group of Oscars voters. And it's fair to ask: If every element of a movie is top-notch, from its design to its performances to its script to its music, how does it not deserve to be best picture?

Non-English language features continued their strong showing

Four non-English language acting performances were nominated this year, three from Norway's drama Sentimental Value (Inga Ibsdotter Lilleaas, Renate Reinsve and Stellan Skarsgård) and one from the Brazilian political thriller The Secret Agent (Wagner Moura). That's a record. Both of those films were nominated for best picture as well, which continues the pattern from recent years of non-English-language films like Parasite, I'm Still Here, Emilia Pérez, Drive My Car and others earning nominations in the top category. Consider this: 10 such best picture nominations happened between 1938 and 2017; 12 have now happened between 2018 and 2026. (On the other hand, it's worth noting that the highly-regarded Korean movie No Other Choice from filmmaker Park Chan-wook was shut out, disappointing its many supporters.)

F1 overperformed

The car-racing movie F1, which felt a lot like a promotional film for F1 racing itself, received what will be, for some, an eyebrow-raising best picture nomination in addition to nominations for editing, sound and visual effects. Both the Broadway drama Blue Moon and Iranian thriller It Was Just An Accident received original screenplay nominations, Blue Moon landed a lead actor nomination for Ethan Hawke, and It Was Just An Accident was nominated for best international feature (for France, which submitted it); neither appeared on the best picture list. People really like cars going vroom vroom, apparently.

New Avatar and Wicked stories lost steam 

The first Avatar received nine Oscar nominations; the second, Avatar: The Way of Water, received four; this morning, the third, Avatar: Fire and Ash, received only two, for costume design and visual effects. A year ago, Wicked received 10 nominations; this year, Wicked: For Good received zero. Avatar: Fire and Ash still made a mountain of money and Wicked: For Good made plenty, but the one-two punch of big box office and awards sparkle has worn off for both.

Diane Warren is Diane Warren, now and forever

The least-surprising possible news on Oscar nomination morning is a nomination for Diane Warren, who received her 17th nod, this time for the song "Dear Me" in the documentary Diane Warren: Relentless. She has never won — except for an honorary award in 2022 — which perhaps makes her the Susan Lucci of best original song, in honor of the All My Children actress nominated 21 times for a Daytime Emmy for playing Erica Kane. But one fact should be foremost in the mind: Susan Lucci eventually won. Yes, it took until her 19th nomination, but it happened. This year, Warren is nominated for a song she wrote for a documentary about herself; wouldn't it be fun if this were her year? If not, she should not lose heart, because let's be real: She will be nominated again next year.

Copyright 2026 NPR

Linda Holmes is a pop culture correspondent for NPR and the host of Pop Culture Happy Hour. She began her professional life as an attorney. In time, however, her affection for writing, popular culture, and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living room space to DVD sets of The Wire, and never looked back.

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Congress has eliminated all funding for public media.

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