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The Nose Didn't Get a Nose Job... Yet

Credit La Melodie / Flickr Creative Commons
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Flickr Creative Commons

"The uncanny valley is a hypothesis in the field of human aesthetics which holds that when human features look and move almost, but not exactly, like natural human beings, it causes a response of revulsion among some human observers." (Wikipedia)

Some version of the uncanny valley phenomenon is tangled up in the national freak-out this week over actress Renee Zellweger’s post-nip & tuck coming out party. Of course, the uncanny valley usually flows in the other direction — from the artificial toward the almost-natural. Cosmetic surgery can work in reverse. We almost recognize Renee. It’s so close — but also indubitably the result of manufacture — that we are unsettled by it.

I have a second — otherwise undiscovered — theory about this week’s Zellwegangst. Look at this montage of photos from the Elle event. Am I imagining it, or is there, in the words of Jackson Browne, “just a trace of sorrow in her eyes?” Not in every shot, but frequently enough so that we know she knows the way she’s being looked at. And it makes us uncomfortable.

"I think it's interesting how people try to pit older, wrinkled women against young ones with the assumption that the former are just jealous of the young ones' sexual power." Not my words, but an email from one of our guests. On this show, an all-women panel uses the furor over Renée Zellweger’s face as a portal into other inter-generational battles.

Men are hard on women. Consider this idiotnik who referred to the Williams brothers. And, of course, women are sometimes hard on each other. Consider Annie Lennox’s possible ill-conceived take on Beyonce. Women sometimes exploit little women to trigger an important dialogue. Consider the pink and frilly f-bomb video. (The four of us are split up the middle about it.) And even when you’re 60, 70 or 80 you might still be contemplating the fine line between “getting men off and celebrating women.”  Oh, and does Fox News really have a “leg cam?” Hot women from outside their ideological framework, however, should not speak up.

Other topics we were considering for this Nose:

  1. Battle of the trolls: Kathleen Hale reveals the war raging between authors and readers
  2. Streaming Music Has Left Me Adrift
  3. In praise of middle-of-the-road parenting
  4. Author Stalks Anonymous Blogger Who Gave Her a 1-Star Review
  5. The Choices of Kathleen Hale

GUESTS:

  • Irene Papoulis teaches in the Allan K. Smith Center for Writing and Rhetoric at Trinity College
  • Carolyn Paine is an actor, dancer, and choreographer
  • Patty McQueen is a communications strategist for Communication Strategies

SONGS:

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Colin McEnroe is a radio host, newspaper columnist, magazine writer, author, playwright, lecturer, moderator, college instructor and occasional singer. Colin can be reached at colin@ctpublic.org.
Chion Wolf is the host of Audacious with Chion Wolf on Connecticut Public, spotlighting the stories of people whose experiences, professions, or conditions defy convention or are often misunderstood.
Betsy started as an intern at WNPR in 2011 after earning a Master's Degree in American and Museum Studies from Trinity College. She served as the Senior Producer for 'The Colin McEnroe Show' for several years before stepping down in 2021 and returning to her previous career as a registered nurse. She still produces shows with Colin and the team when her schedule allows.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Federal funding is gone.

Congress has eliminated all funding for public media.

That means $2.1 million per year that Connecticut Public relied on to deliver you news, information, and entertainment programs you enjoyed is gone.

The future of public media is in your hands.

All donations are appreciated, but we ask in this moment you consider starting a monthly gift as a Sustainer to help replace what’s been lost.

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