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Lupe Ontiveros Proudly Portrayed Dozens Of Maids

AUDIE CORNISH, HOST:

Finally this hour, we remember actress Lupe Ontiveros. She died of cancer last night in Los Angeles at the age of 69. Ontiveros appeared in over 100 movies and TV shows, ranging from "El Norte" to "Desperate Housewives" to "Selena." NPR's Neda Ulaby has her story.

NEDA ULABY, BYLINE: Lupe Ontiveros played maids - dozens and dozens of maids. She played maids through the 1970s in shows like "Alice" and "Charlie's Angels" up until just a few years ago. In 2009, she told NPR most auditions meant having the same conversation.

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(SOUNDBITE OF TV SHOW, "REBA")

ULABY: That's Ontiveros playing a maid on a network sitcom a few years ago. She played yet another one in the 1997 Oscar-winning movie "As Good as It Gets," who makes the mistake of trying to cheer up Jack Nicholson.

(SOUNDBITE OF MOVIE, "AS GOOD AS IT GETS")

ULABY: In spite of the stereotypes and indignities, Lupe Ontiveros made her maids memorable. She was a former social worker who started acting on a dare. She was born and raised in El Paso, Texas. Her parents owned two restaurants and a tortilla factory. As an actress, she sought out roles that showed a multidimensional world. In the acclaimed 1983 movie "El Norte," she played an illegal immigrant convincing a young man to visit his dying sister.

(SOUNDBITE OF MOVIE, "EL NORTE")

ULABY: And in 2002's "Real Women Have Curves," she played a mother working unhappily with her daughter in an overheated L.A. sweatshop.

(SOUNDBITE OF MOVIE, "REAL WOMEN HAVE CURVES")

ULABY: The daughter was played by America Ferrera, who later starred in "Ugly Betty." Ontiveros told NPR she hoped the younger actresses' career could include a broader range of characters than the ones available to an earlier generation of Latino actresses.

(SOUNDBITE OF ARCHIVED BROADCAST)

ULABY: Or even somebody not necessarily named Rosalita or Manuela. One of Lupe Ontiveros's favorite roles came in 2000 when she was offered a role in the movie "Chuck & Buck." It was originally imagined as a white woman named Beverly.

(SOUNDBITE OF ARCHIVED BROADCAST)

ULABY: The movie's writer, Mike White, said Ontiveros was so sick of stereotypes, he did not offer her the part of a maid in a later project. She was insulted, he said, and wondered why he did not want to work with her again.

MIKE WHITE: And I was like, you know, Lupe, of course, I would want to work with you again. I think you're a genius, but I just, you know, it's like I thought after all the conversations that we've had on the set of "Chuck and Buck," you wouldn't want to be offered a part of a maid. She was like, I want to work.

ULABY: Lupe Ontiveros did want to work. She claimed to play a maid more than 150 times, and she said she did it proudly. Every single one of them, she said, had identity, dignity and culture. Neda Ulaby, NPR News. Transcript provided by NPR, Copyright NPR.

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.