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The Suicide Plan

Season 2012 Episode 22 | 1hr 23m 41s

FRONTLINE explores the underground world of assisted suicide and takes viewers inside one of the most polarizing social issues of our time – told not only by the people choosing to die, but also by their "assisters," individuals and right-to-die organizations that put themselves in legal jeopardy by helping others to die.

Aired: 11/12/12
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
Extras
Historian Annette Gordon-Reed. The American Revolution premieres November 16.
A single shot echoes on Lexington Green, and the American Revolution begins.
The filmmakers on how understanding the people of the Revolution can help us understand who we are.
Filmmakers discuss how they used stories of both well-known and lesser known figures.
The filmmakers discuss how the story of The American Revolution came together.
The filmmakers discuss how they crafted imagery to help tell the story of the American Revolution.
John Adams, read by Paul Giamatti. The American Revolution premieres November 16.
A spark ignites—quiet, unstoppable. What follows changes everything.
The filmmakers on how they tapped a broad range of influences to recreate the music of the era.
Historian Stephen Conway on the psychological impact of Saratoga on the British.
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